Aru Kalo Railko Dhuwale - Lal Bahadur Khati Lyrics & Chords

Aru Kalo Railko Dhuwale

by Lal Bahadur Khati

Aru kalo railko dhuwa le

Aru kalo railko dhuwa le

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Aru kalo railko dhuwa le

Aru kalo railko dhuwa le

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Kalo lai kalo bhanna hudaina

Kalo lai kalo bhanna hudaina

Bango lai sojho mannu pardaina

Bango lai sojho mannu pardaina

Krishna kalo manko ujjayalole

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Aru kalo railko dhuwa le

Aru kalo railko dhuwa le

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Bho bho ghin mannu malai pardaina

Bho bho ghin mannu malai pardaina

Mero kalo timilai sardaina

Mero kalo timilai sardaina

Saili kalo hadiko moso le

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Aru kalo railko dhuwa le

Aru kalo railko dhuwa le

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Kalo bhani nagara hela

Kalo bhani nagara hela

Kalokai parauli phela

Kalokai parauli phela

Laure kalo bomb ko dhuwale

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Aru kalo railko dhuwa le

Aru kalo railko dhuwa le

Ma ta kalo chata lai oddai na odanale

Ma ta kalo chata lai oddai na odanale

Aru kalo railko dhuwa le

Aru kalo railko dhuwa le

Ma ta kalo chata hajur oddai na odanale

Ma ta kalo chata hajur oddai na odanale

Ma ta kalo chata hajur oddai na odanale

Ma ta kalo chata hajur oddai na odanale

Lal Bahadur Khati

Lal Bahadur Khati

Aru Kalo Railko Dhuwale

Folk Chords1987

13 views 0Added Apr 18, 2026

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Chords Used (4)

Em

A

D

C

Em A

Aru kalo railko dhuwa le

Em A

Aru kalo railko dhuwa le

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em A

Aru kalo railko dhuwa le

Em A

Aru kalo railko dhuwa le

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em

Kalo lai kalo bhanna hudaina

Em

Kalo lai kalo bhanna hudaina

Em

Bango lai sojho mannu pardaina

Em

Bango lai sojho mannu pardaina

Em

Krishna kalo manko ujjayalole

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em A

Aru kalo railko dhuwa le

Em A

Aru kalo railko dhuwa le

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em

Bho bho ghin mannu malai pardaina

Em

Bho bho ghin mannu malai pardaina

Em

Mero kalo timilai sardaina

Em

Mero kalo timilai sardaina

Em

Saili kalo hadiko moso le

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em A

Aru kalo railko dhuwa le

Em A

Aru kalo railko dhuwa le

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em

Kalo bhani nagara hela

Em

Kalo bhani nagara hela

Em

Kalokai parauli phela

Em

Kalokai parauli phela

Em

Laure kalo bomb ko dhuwale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em A

Aru kalo railko dhuwa le

Em A

Aru kalo railko dhuwa le

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em D C Em

Ma ta kalo chata lai oddai na odanale

Em A

Aru kalo railko dhuwa le

Em A

Aru kalo railko dhuwa le

Em D C Em

Ma ta kalo chata hajur oddai na odanale

Em D C Em

Ma ta kalo chata hajur oddai na odanale

Em D C Em

Ma ta kalo chata hajur oddai na odanale

Em D C Em

Ma ta kalo chata hajur oddai na odanale

About This Song

"Aru Kalo Relko Dhuwale" uses lighthearted, metaphorical lyrics to explore themes of identity and superficial judgment. The title phrase literally translates to "others are blackened by the train's smoke," while the singer notes that his own dark complexion comes from not using a black umbrella for protection. Through this playful comparison, the song challenges the idea of looking down on someone based on their appearance, famously stating that one shouldn't call "black" things bad, as even Lord Krishna was dark-skinned yet had a bright soul. In a broader social context, the song functions as a conversation about self-worth and mutual respect. The singer tells his "Saily" (a term of endearment) that they don't need to feel disgusted by his darkness, as it isn't something "contagious" that will rub off on them. By blending these everyday observations about life in Nepal with deep cultural references - such as the soot from a cooking pot or the character of a person - Lal Bahadur Khati created a Music Nepal classic that resonates as both a catchy folk-pop tune and a subtle commentary on social perceptions.

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